The House of Mirth by Edith Wharton, Penguin English Library Edition, 1905, 400p.
5 out of 5 stars.
House of Mirth is sensational. A true classic in every sense of the word, it immerses the reader deep into the world of Lily Bart and drags you down with her. I’m only just discovering Edith Wharton, I loved my read of Ethan Frome earlier this year, but felt like the style was a little sparse – looking back on my review, I noticed that I wrote,
I felt like I could have enjoyed Ethan Frome more if it was fleshed out into a fleshier novel, the novella length generally doesn’t satisfy me when there is so much potential for a good story.
House of Mirth answered my question brilliantly – Wharton does pen a truely singular novel, and the extra wordage, the flowing quality of her writing certainly does not take away from the plot – the plot in The House of Mirth is full, lively and engaging.
I really felt for Lily Bart. As far as female characters go, she would have to be one of my favourites I have read up to this point. I’ll avoid spoilers, but some of the things that she allows people to do and say to her are just appalling, but she seems to be out of her depth most of the book. The issue is that she thinks she’s able to cope with everything until her whole life comes crashing down around her. As someone who feels sometimes like life is conspiring to bring me down, reading about Bart’s trials makes me feel a little better about my own life. The way that Lily thinks about problems and especially, financial issues, is very close to the way that I myself consider these problems – I’m always anticipating the lucky event around the corner, always counting and spending money that I should be saving. It’s a problem that I’ve recognised in myself – one that I still battle with to this day, and watching Lily Bart come to the same realisations is painful but enlightening.
As far as male characters go in this book, I’m lukewarm on all of them. My least favourite would have to be Selden – and I feel like he was saved by Lily’s grace and love. I felt like we were meant to be rooting for them to get together, but that idea was repugnant to me, and I hoped that Lily would come around to living in poverty, despite it being so against her character. Rosedale was actually somewhat more to my liking – despite being crass and inelegant, I felt that he was most honest. The last scene with Rosedale turned me with disgust, but up to that point I kinda liked the guy!
Wharton’s writing style is lyrical and flows naturally, the plot seeming to meander along as a slow pace, but when you look back, you see that it’s actually been close to breakneck. It’s an interesting feeling, one that I’ve rarely noticed in early 19th century books, but as I read more from this era I feel like it might come to me more. Wharton’s descriptive style is interesting – there’s little description of landscapes, clothes and houses and more description of people’s thoughts, motivations and actions. I find other descriptive authors, like Dickens, to be weary and dull, but I think that is because his style is more about things that to me do not further the plot.
I will be adding the rest of Wharton’s work to my next classics club list – I’m not even half way through this one and I’m already considering what will be on the next one!